Post-production, game audio, virtual reality - each area of multimedia production has its own unique audio requirements. Wright captures original sound in the field with the appropriate perspective, mood and use case in mind for each project.

Several specialist microphones allow Wright to record audio in more unusual circumstances. 

This includes a contact microphone which records sound vibrations through solid objects, a stereo pair of underwater mics, and a microphone that can capture frequencies beyond the range of human hearing up to 100kHz.

The latter is useful for sound designers requiring assets which can be pitch manipulated to the extreme in post-production, while preserving high frequency content.

Equipped to record in even the most remote locations, his AAA run and gun setup allows access to hard to reach places and unique recording opportunities, with ultra-high quality recordings in mono, stereo, surround and ambisonics formats.